“One of the finest songwriters and performers in the contemporary folk field… a Northwest treasure.”
– Chris Lunn, Victory Music

“Heidi Muller sings the winter stars into the sky!” – Marilyn Rea Beyer, The Midnight Special, WFMT-Chicago

“A disarming and mature songwriter.”  – Dirty Linen

“The best of Heidi is in public where her concerts are a living room gathering of friends, stories and songs that mix the joy, sorrow, humor and hope of life in a manner that entertains, involves and raises spirits.”
– Percy Hilo, Victory Review

“Heidi’s high, clear alto voice can be playful, powerful, or heartwarming… She fills her most powerful songs with compelling, vivid natural images expressing her love of the northwest.”
– Folkstuff, Cornell Folk Song Club

” Heidi has a voice that could melt the proverbial heart of stone… You simply must hear this singer!”
– Sandy Paton, Folk-Legacy Records

“Muller has the glowing talent of an artist who can connect her extraordinary heart with ordinary scenarios. Her phrases are poetic genius and her lyrics flow faultlessly… Muller’s mountain dulcimer and clear voice blend purely like the night sky and the stars.”   – Heartsong Review

Heidi Muller is arguably Seattle’s most beloved folk singer/songwriter…In a culture simultaneously poisoned by cynicism and starving on empty new-age fluff, Muller’s songs offer a meaningful alternative that constitutes chicken soup, not cotton candy, for the soul. Muller’s warm, playful sense of humor is the common element that shines through them all.”
– Doug Bright, Heritage Music Review

Up Hurricane Creek – Ancient Victorys

“Muller continues her growth as a songwriter, music performer, and collaborator… This is superb folk material and right in Muller’s vocal wheelhouse… Muller continues to be one of this country’s top folk songwriters and interpreters.” – Chris Lunn

Light the Winter’s Dark – Ancient Victorys

Seeing Things – Roots Music Report (4 Stars)

Folk music fans are in for a real treat with Heidi Muller’s new CD Seeing Things. The CD may be entitled Seeing Things but you will also be hearing things, beautiful sounds. Teaming up with Bob Webb, the two extremely talented artists combine to take their folk music to new highs.
     After listening to Heidi’s melodic renditions, you just feel good, deep down inside.  She has a knack of using her lyrics and distinctive voice to engage the listener at the emotional level such that you are both entertained and entranced.  Her crystal clear vocals will remind you of a cool, crisp winter’s morn, adding to that feel-good sensation.  As an added bonus, her unique instrument of choice, the mountain dulcimer, provides the perfect accent to her lilting voice.  That voice and the instrument seem to be made for each other.
     She and Mr. Webb are skilled musicians that obviously put their heart and soul into their music and the listener is the ultimate beneficiary of that kind of commitment.”
– Brenda Barbee

Cassiopeia – FolkRoots Magazine (UK)

A singer unsung, that’s our Heidi – well, as far as these shores are concerned anyway – just one of an easily compiled FolkRoots pageful of great unknowns of the U.S.A. country/folk genre.
     Like many of her ilk who find themselves consigned to the relative shadows, Heidi consistently writes moving, delicate songs, beautifully performed, in this case courtesy of a crystalline alto voice full of sensitivity, laughter and succinct phrasing. Guitar and instruments incorporating delicate fingerpicking and some pretty strenuous rhythmic accompaniment.
     My current minor miracle awareness is the apparent failure of major attractions to form a queue around the block to snap up some of these major Muller masterpieces. Anyone within reach of the Nanci Griffithses or Kathy Matteases of this world should render the favour of turning informer on, for example, “Long Way to Another Friend,” a duet gem featuring Ms. Muller and Dan Maher on vocals/guitars with some fluid accordeon embellishment – lovely stuff. Such gems abound – the tranquility of “Palouse Lullaby,” the flittering, whispering echoes of Kate Wolf grandeur. The supporting musicians supply the choice cushioning of fiddle, dobro, bass, accordeon and guitars, all bowing reverently before the mesmerizing lead voice.
     Ok, so there’s no explosive trailblazing here, no slavery to the dramatic or concession to compulsive searching for uniqueness for its own sake. Such ingredients have frequently destroyed art and played havoc with simple beauty. Here’s pure, natural, gloriously free music with remarkable consistency and vivid singer/songwriter skills. Proves that quiet acoustic music can find its own way of defining spectacular. – Tony May